Mina-kari on pottery is one of the most brilliant expressions of Iranian art, rooted in thousands of years of history and culture. This beautiful craft blends technical knowledge, aesthetic sophistication, and cultural symbolism—passed down through generations of artisans, particularly in the city of Lalejin in Hamedan province.
The tradition of decorating pottery in Iran dates back to the 4th millennium BCE, when potters used natural pigments and simple patterns. Over time, glazing techniques evolved, and during the Parthian and Sassanid periods, glazed wares adorned with vegetal, animal, and geometric motifs emerged—laying the groundwork for what would become Mina-kari.
Between the 9th and 13th centuries CE, Mina-kari flourished in cities such as Rey, Kashan, and Nishapur. Iranian artisans mastered the use of metallic glazes, vibrant colors, and techniques such as underglaze and overglaze painting. Many of these masterpieces are now preserved in prestigious museums such as the Louvre and the British Museum.
In the 20th century, with the rise of modern artistic movements and a renewed interest in traditional crafts as cultural heritage, Mina-kari on pottery was revitalized. Lalejin, known as the pottery capital of Iran, played a key role in this revival. Today, its artisans produce dazzling mina-kari pottery that reflects both historical techniques and contemporary creativity—widely appreciated in both domestic and international markets.
Beyond its artistic value, mina-kari pottery is also a significant export product. Importers of handicrafts from Europe, Asia, and the Persian Gulf seek items that combine beauty, authenticity, and high quality. The fine craftsmanship of mina-kari adds substantial value to pottery, making it a standout product in the global handicrafts market.